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Film Analysis: Sleaford Mods' Jason Williamson Takes On Role in Critical Examination at Ecstasy Generation Era

The work of Portishead co-founder the musician-producer, this sharp-edged though undernourished debut feature turns a sceptical eye on 90s rave culture. Self-serving pillhead David (Marc Bessant) first robs an unconscious dealer, then in a later recollection tries to break into his own family home. Before you can say, he's overturned in the wreckage of his car in a forest – and subject to the wrathful eye of the Poacher (vocalist Jason Williamson). Declining to free David, with no time for city dwellers, he is broken Britain embodied: “You’re one of those noisy cunts from up on the heath.”

A Shaky Start and Darkly Funny Confrontation

Game gets off to a shaky start, lingering excessively on pedantically chronicling David’s attempt to extricate himself from his seatbelt, while awkwardly transitioning into past scenes of his everyday life. The bigger point – that the ecstasy generation were mainly focused on themselves – is firmly made. But these brief episodes are insufficiently developed to adequately prepare us for what to expect when the Woodsman arrives, fuming after David strangles his dog. Nevertheless, a darkly funny duel takes hold – David eager to get away; the Woodsman denying his container of scrumpy, intent on dousing him instead in resentful talk. Williamson, exuding ponderous menace in the role, is reminiscent of Michael Smiley.

Stylish Imagery and Promo-Inspired Sensibility

Just a single important plot development, but it leads to a hilariously staged chaotic run on the forest trails that veers toward rural terror. Director John Minton at last unleashes with his ostentatious visuals: where he was hunkered down doing impressionistic closeups of bugs in headlights in the early stages, he now lets rip with the full lysergic 21-gun salute, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an extended promo than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into successfully graduating from the Brit music promo scene.

Game releases in British and Irish cinemas from 17 November.

Written by

Brendan Lynch

A software architect and tech writer passionate about emerging technologies and digital innovation, with over a decade of industry experience.

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